It’s the
parenting moment I looked forward to for years—that one when my eight year old came
home from a classmate’s birthday party and asked, “Mom, what does sexy mean?”
“Why do you
ask?” I said.
“Because we
were dancing to ‘I’m Sexy and I Know it’ and Jenna* was all like, ‘I’M SO SEXXXYYY!’” Middle growled and
clawed at the air in bear paw fashion.
“Where did
you guys get that song?”
“It was on
Emily’s mom’s Ipod.”
“Did her
mom know you were listening to her Ipod?”
“Yeah. So what
does it mean?”
I'll admit it: I was surprised that my 8 year old was dancing to "I'm Sexy" at an
8-year-old’s birthday party. But then I realized that this song was featured in the recent kids’
movie, Madagascar 3, which just came
out in 2012. Everyone under five knows it now.
Language has
changed since I was 8. When I was 8, sexy
meant just sexy. Now sexy
means sexy and, if you’re 8 years
old, it means cool because when you’re
8 you can’t understand the actual meaning of sexy if you don’t understand sex. And most 8-year-olds don’t seem to have a holistic grasp on that one. So sexy gets translated as cool because the rest of the lyrics are too
fast, too confusing, to slammed together for them to really make out their mysteries. Although, in Madagascar the song is pumping, “Girl, look at that body. Girl
look at that body,” and if Middle actually was asking to know
the lyrics to the song and then added those to the context of some barnyard
critter going all googly-eyed over a rotund brown bear in a tutu, she’d know that sexy meant a little more than just cool like your-bike-is-so-cool cool.
I’m only 34,
but I’ve been wondering: Am I old-school
already? Am I not flexing with
culture in a way that makes perfect sense? Should I start calling my Middle
sexy for fun when I think she looks cute and sparkly and peppy on her way to
school some day? Can you imagine complimenting your 8-year-old in such a way (put on your best smile and happy voice, now):
Hey Middle,
you look so SEXY today!!!
You can’t,
can you. So I’m not the only one who’s
old school.
Middle has
also been coming home requesting to listen to Kidz Bop songs. She’s hearing them in her classroom once in a while
during writing time (the teacher plays them from his computer).
I don’t
listen to much pop music on the radio so I didn’t recognize Miley Cyrus
Partying in the USA or Sean Kingston’s “Fire Burning” remade/re-edited into
children’s songs when she came home asking me to play them on Spotify. What I did notice was
this:
The main
feature of these songs is dancing on dance floors. In clubs.
My Middle doesn’t go to clubs. In fact, she probably can’t legally get into any in
the state of Iowa because they serve alcohol. Also, people smoke there. And
wear clothes she’s too young to wear. And do things with their bodies she’s not
allowed to do yet.
A little more
digging into her two favorite Kidz Bop
song lyrics: Jay-Z and “Brittany” (both totally appropriate role model-artists
for an 8-year-old) are mentioned in Miley’s “USA,” which seems to be an ode to
all things Hollywood through the eyes of a young, impressionable girl who thinks
“famous” people are the bomb. I was truly
thrilled to find out that “Fire Burning” in its original form is all about a guy
getting an erection at the club while watching a woman dance. Oh, but maybe
not. I’m not sure: Does “My pocket started tickling/the way she drop it low,
that thang” mean that a few stray bills in his pocket suddenly took on a life
of their own? And of course, she’s “that
thang” (or some part of her body is). And he likes her body and he’s going to “take it home.”
And while
the Kidz Bop version is a little more
PG, the woman is still an object: she’s a fire, a birthday cake, she’s gotta be
“cooled down” by Shawty.
You might be
able to guess what happened next. I got all psychotic-mama-bear on Kidz Bop (just the two songs I knew) and
I emailed Middle’s teacher, a sweet 25-year old Justin
Timberlake-from-ten-years-ago lookalike. I dropped a lot of big words into my
email (objectification, sexualization, concern), thinking I’d either be his worst nightmare or his
friendly neighborhood feminist. I was channeling warm, sweet,
smarter-than-a-whip Naomi Wolf from The
Beauty Myth days, hoping to be perceived as the latter.
It turned
out to be a useful exchange; we’ll talk more at our conference next week. But I’m stuck tonight in awe at the marketing
model of Kidz Bop, which seems to be:
get some kids under the age of 15 to do covers of the most popular current
songs (age-appropriate or not), and market the songs to babies. From break-ups
to angsty love to clubby dance-lust, the central themes of most of the bops seem not to be a good fit for my
Middle, who’s reading Little Women and The Boxcar Children and drawing
self-portraits and playing spies in her free time. And I think someone as wonderful and charming
and energetic as she deserves some good dance music.
*Names were changed to protect privacy.
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